I must admit that Middlemarch didn’t interest me much until the last hundred pages. I forced myself to continue with it, due to my promise to Arti and Gretchen, and quite possibly it would have been more enjoyable if we three were together discussing it over a cup of tea with lemon. As it was, I sat this Memorial Day Weekend with this tome, in unbearable humidity, bound and determined to finish it so that I can get on to Cult X and Testament of Youth. I am not very patient with English literature, which always seems to need a better editor than it had. (Not one page of Anna Karenina, similar in length, tired me.)
And now for the interesting bits. Tertius Lydgate, who unfortunately married Rosamond Vincy, has become so far behind in debt that he beseeches his wife to give up her purple amythests, sell the silver plate, and even move to a less expensive home. Her pride, and her attachment to her belongings, forbid such actions, and she turns the situation to being his fault alone. She is completely unwilling to support him and turns her graceful neck away at an angle that makes me want to strike it.
So, Lydgate appeals to the banker, Mr. Bulstrode, who gives him one thousand pounds. Yet, almost simultaneously, a patient of Lydgate’s dies, and the townspeople believe that the money given by Bulstrode, and accepted by Lydgate, is a bribe.
”It has come to my knowledge since,” he (Lydgate) added, “that Hawley sent someone to examine the housekeeper at Stone Court, and she said that she gave the patient all the opium in the phial I left, as well as a good deal of brandy. But that would not have been opposed to ordinary prescriptions, even of first-rate men. The suspicions against me had no hold there; they are grounded on the knowledge that I took money, that Bulstrode had strong motives for wishing the man to die, and that he gave me the money as a bribe to concur in some malpractices or other against the patient-that in any case I accepted a bribe to hold my tongue. They are just the suspicions that cling the most obstinately because they lie in people’s inclination and can never be disproved.” (p. 811)
That last line is perhaps the briefest summary of Middlemarch, a novel in which George Eliot examines the defamation of character, and the consequential ruin of one’s trust in oneself; the bond of marriage which can suffocate when it is an unhappy one; the superficiality of the masses when assembled together in the same small town.
Dorothea Casaubon calls Lydgate to her home, and comforts him with her gentle and true spirit which insists on seeing the good in others. When she writes a checque for one thousands pounds for Rosamond, and delivers it to her home, she unexpectedly comes upon Rosamond and Will Ladislaw sitting altogether too closely on the sofa. He his clasping her hands in his, and the situation looks compromising. But this doesn’t bother Rosamond half as much as it does both Will and Dorothea.
”Shallow natures dream of an easy sway over the emotions of others, trusting implicitly in their own petty magic to turn the deepest streams, and confident, by pretty gestures and remarks, of making the thing that is not as though it were. She (Rosamond) knew that Will had received a severe blow, but she had been little used to imagining other people’s states of mind except as a material cut into shape by her own wishes; and she believed in her own power to soothe or subdue.”
Yet, as we read on it is Dorothea’s character to seek the good in people, to believe in the triumph of good over evil, and to know that money cannot possibly bring the happiness so desired by many. Her first husband, Mr. Casaubon, had meanly forbidden her to marry again, specifically the one she truly loved, or else she should lose the property he had left to her. But this sword will not cut through her armor, one which chooses truth over prosperity. I love how she ends with the one she loves.
As I close the last pages, I am pleased with the outcome of this book, happy that I have read a classic I had not read before. It would be a perfect story for Masterpiece Theater, as there is so much wisdom inherent to its tale told through the foolishness of so many of its characters.
”Yes, dear, a great many things have happened,” said Dodo in her full tones.
“I wonder what,” said Celia, folding her arms cozily and leaning forward upon them.
“Oh, all the troubles of all the people on the face of the earth,” said Dorothea, lifting her arms to the back of her head.