There’s an overly dramatic mother, who favors one child over the others. There’s a conscientious oldest sister who tries to make everyone happy. There’s a son who goes overseas to help the poor and downtrodden. There’s a younger daughter who says she wants to be an actress, but all she really wants is to drink.
The novel tells each of the children’s stories in a chapter of their own, beginning with Rosaleen (their mother) taking to her bed when she hears that Dan wants to become a priest. Their lives are portrayed perfectly, I think. We can imagine each person in his or her surroundings, we can fully accept their thoughts as believable and even, in places, aligning with our own.
It is on Christmas Day that everything comes to a head. The five are gathered, with a spouse and grandchildren of the oldest daughter, and as so often happens during the holidays, a lovely dinner turns frantic. Rosaleen has suddenly left in her little Citroen, without any advance warning, to travel down the green road. True to form, she seems to think only of herself, and when the children finally roust themselves to come looking for her, indeed in a panic, they find themselves truly a family for at least that evening.
The Green Road reminded me vaguely of A Spool of Blue Thread by Anne Tyler. But where I feel that Anne Tyler returned to her magically told stories, I feel that Anne Enright portrayed far more power in her novel The Forgotten Waltz.