“It’s not just that your bodies are growing and changing. I know what you’ve been up to.”
From the very beginning we are presented with tension between children and their teacher. From the very beginning we know why she is talking to her class about this year being her last.
“So why am I resigning? Because Manami’s death wasn’t an accident. She was murdered by some of the students in this very class.”
The teacher’s daughter, Manami, has been found floating in a swimming pool, and after a brief explanation she tells us at whose hands her daughter has died. And then, before dismissing the class, she reveals a terrible act of revenge on her part toward the two students who killed her child.
Through each subsequent chapter, confessions are revealed through the eyes of a classmate, one of the murderer’s mothers, and even the murderers themselves.
The confessions are shocking and appalling, but the whole tone of the book is one of quiet resignation. It is almost as though each tragic event is a matter of fate, and must simply be lived out. It is, as my father has often said, like watching a slow motion horror film.
For perhaps worse than the confessions are the hearts of each character, for what they are willing to do instead of forgive. Or, even love.
Kanae Minato is a former home economics teacher and housewife who wrote Confessions, her first novel, between household chores. The book has sold more than three million copies in Japan, where it won several literary awards, including the Radio Drama Award, the Detective Novel Prize for New Writers, and The National Booksellers’ Award, and was adapted into an Oscar short-listed film directed by Tesuya Nakashima. (from back cover)